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The duck is kinetic, rocking back and forth when tapped. Directed by Jean-Michel Meurice and Jean Pierre Marchand; produced by Eliane Victor. (Calder 1966, 28–29) December: For Christmas, Calder presents his parents with a dog and a duck that he trimmed from a brass sheet and bent into formation. (ASL, registration records) Before 3 May: Calder begins his first job as an artist, illustrating sporting events and city scenes for the , 3 May) Before 17 May: Calder moves into his father's studio, 11 East Fourteenth Street, while his parents are traveling in Europe.

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The challenge is to move the animals from their pens without having two animals in the same pen at once. Stirling rents a studio in New York City on 51 West Tenth Street.

Corder; produced and written by David Idema; cinematography by Werner Schneider; narrated by Tom Saizan; edited by Bill Prins. (Sweeney 1943, 57; Hayes 1977, 41) Before 11 January: For his father's birthday, Calder makes , a game consisting of five painted animals—a tiger, a lion, and three bears—and a wooden board with nails divided into six pens.

Calder stays with the architect Walter Bliss and his wife to graduate from Lowell High School.

Texts by James Johnson Sweeney, Michel Butor, Jean Davidson, Giovanni Carandente, Pol Bury, Gabrielle Buffet-Picabia, and Francis Miroglio; reprinted texts by Jean-Paul Sartre and Fernand Léger. (Calder 1966, 36–37; Hayes 1977, 43–44) Spring: Stirling and Nanette move to Berkeley to be near Stirling's next commission, the Oakland Auditorium.

So I sent them another dollar and told them, “Look again.” They corroborated the first statement., in Philadelphia. (Calder 1966, 13) Spring: Stirling Calder contracts tuberculosis. (Calder 1966, 15; Hayes 1977, 18) End of March: Nanette picks up Calder and Peggy and they rejoin their father in Oracle.

Produced, directed, and written by Robert Pierce; narrated by Lary Lewman; production manager, Mark Muheim, assistant camera/sound, Zack Krieger. Thirteen/WNET and Florentine Films/Roger Sherman Pictures, New York. Produced and directed by Roger Sherman; written by Thomas Mc Namee; narrated by Tovan Feldshuh, music by Teese Gohl. Produced by Zadig Productions, Calder Foundation, Centre Pompidou, Sloo Films, and France 5. Directed by François Levy-Kuentz; written by Stephan and François Levy-Kuentz; narration by Mathieu Almaric and Paul Bandey; music by Louis Sclavis. Produced and commissioned by the Calder Foundation, New York, in collaboration with Victoria Brooks. In 1942, when I wrote the Philadelphia City Hall for a birth certificate, I sent them a dollar and they told me I was born on the twenty-second of July, 1898. Calder has a workshop in the cellar and attends Lowell High School. (Hayes 1977, 42) The Calders move to Spuyten Duyvil, New York. (Calder 1966, 34–35) 14 August: Stirling is appointed as the acting chief of the department of sculpture of the Panama-Pacific International Exposition in San Francisco. (Calder 1966, 36) June: The Calders move to San Francisco. Of the whole trip this impressed me most of all; it left me with a lasting sensation of the solar system. Texts by René Barjavel, Gérard Bauër, Michael Butor, Jean Cassou, Jean Cocteau, Raymond Cogniat, Pierre Daninos, Pierre De Latil, Michel Del Castillo, Guy Dorans, Albert Ducrocq, Florent Fels, Georges Friedmann, Pierre Gascar, Waldemar George, Isis Kischka, André Labarthe, Henri Mondor, Jean Rostand, Adam Saulnier, Georges Simenon, Francis Viaud. (Calder 1966, 51) 9 June: Serving on the It was early one morning on a calm sea, off Guatemala, when over my couch—a coil of rope—I saw the beginning of a fiery red sunrise on one side and the moon looking like a silver coin on the other.Paper costumes for A Nightmare Side Show, one of thirteen group processions performed during Paper Ball: Le Cirque des Chiffonniers, First Hartford Festival, Wadsworth Atheneum, Hartford, Connecticut, 15 February 1936 Standing, left to right: André Masson, Kay Sage, and Calder; sitting, left to right: André Breton, Susanna Perkins Hare, Louisa Calder, Rose Masson, Diego Masson, Charlie Prescott, Mary Calder, and Teeny Matisse, Roxbury, 1941 Alexander Calder Scrapbook, 1924–26. (Calder 1966, 66, 70; Hayes 1977, 81) September–November: Calder studies life drawing with Boardman Robinson at the Art Students League.

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